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This mistake provides yet more evidence for what I like to call “When Joss Whedon creates a television series loaded with potential then spends so much time building up to a big spectacular climax (see: Buffy The Vampire Slayer series finale) that the show gets canceled due to the appearance that the show is not going anywhere before viewers get to see the aforementioned big spectacular climax (see: Firefly, Dollhouse).
had been written in the last couple of years, it would not have lasted seven seasons like it did in the mid-late nineties. Back then, Whedon had the time to spend several seasons creating a whole world and fleshing out a large cast of characters because there was no other show like it on television, no competition.
I can say that I’ve always been fascinated by nesting dolls or objects splitting in half or housing other objects…
it carries into metaphors about secrets, inner worlds and/or past-present relationships.
humans whose memories and personalities were wiped by the Dollhouse so that they can be programmed to be lovers, friends, assassins, etc.
ended this past Friday and I am all torn up about it for a few reasons, mostly because the finale introduced some pretty amazing elements that really really SHOULD have been thrown into the mix at the beginning of the season.
They needed 20 paintings completed in 3 months…I was totally out of my element both in subject and time frame. I was living in NYC at the time and when I went home for the Christmas holiday, I brought some of the paintings with me, so I could continue to paint… Steve: I’d imagine so, I think they were happy with my ability to render likenesses as well as the manner in which I interpret story content beyond the surface.
#6 (the Giles and spiky hand imagery) without risking a pummeling from Dark Horse.
I wanted to put Buffy in a dress that she might ogle at in a magazine, with a pronounced sigh, but never have any practical occasion to wear…considering her on-the-slay life style.
But let’s start from the very beginning, a very good place to start: When did you decide that art was going to be your life? Steve: In junior high I discovered kids would part with their money for fantasy drawings or paintings of their favorite metal band on the back of their denim jackets.
Steve: There wasn’t a time where I didn’t plan on being an artist. By high school I started to get very focused on portraiture and that interest has continued to this day.
I can only express my sincerest condolences to those who backed this project on Kickstarter, and were looking forward to this film as much as I was.
mastermind Joss Whedon — Lichen and Enver played "actives," i.e.